Exposition exposed

Does your reader need to know your protagonist’s backstory and other vital information? Yes. Should you dump the entire shebang in one go? You already know the answer to that. But how to achieve that sprinkling of salt so perfect a master chef couldn’t fault you? Read on.

Integrated elements

A few months back I explored the “setup” and “payoff” elements that create a satisfying story. As you can read back in that article, it’s non-optional. Integrated elements however, work at a high level to make the story three dimensional. They’re not mandatory, but they make your story pop.

ChatGPT and simile

I’ve been hearing a lot about ChatGPT, and when I complained to a (non-writer) friend I was struggling with a chapter, he said “just get ChatGPT to write it”. Ha! Normally I’m a bit of a luddite, but I figured if it’s what the kids are doing, I should give it a go. While ChatGPT is definitely hit and miss, you can use it as a tool similar to a thesaurus.

Unity of opposites

An element of literature and film I find a lot of fun is the power of two completely opposite characters being brought together by a common event or goal. Once there, they find themselves in a scenario where they want precisely the opposite things. 

Buffet-style critique

The past couple of years the culinary buffet has been about as popular as a cough in an elevator. Not so the metaphorical buffet of writing circles, critique partners and other peer feedback. But sometimes all this amazing (and sometimes contradictory) feedback can leave a writer confused with a side of panic.

The art of patience

Patience. What does that word mean to you? To me, it is taking a deep breath and persisting—often uphill—with faith that I will get there in the end. It’s a habit and a state of mind, and it requires a lot of practice. Fortunately, as writers, the practice comes whether we want it or not.

Ballistics simplified

Last month, I wrote about the importance of real world experience in writing sensorial details and included the example of firing a gun. I discussed this (and a scene from my WIP) with a friend who also happens to be an expert in ballistics. The discussion gave me some interesting insights I thought I’d share with you all.

Making the senses real

When writing fiction, our imaginations can often be enough to bring our characters to life. However, there is a point where nothing beats writing from real life experience, especially when writing an immersive emotional experience for the reader. I’m talking sensorial, visceral details here.

The science of creativity

I came across an article in the journal of Urban Forestry & Urban Greening that got me thinking about how we can enhance our creativity. This particular article interviewed seventeen Danish creative professionals in an effort to determine whether nature has the capacity to enhance creativity. Spoiler: it does. But in my experience, so does standing in the shower.

The warm embrace of rejection

Most of us have been regularly rejected since we were young children. Even if only temporarily, I’ve been rejected by friends, family, co-workers, bosses, pets (why does that hurt the most?), strangers, peers, acquaintances, intimate partners, kids. It’s part of life. Some times hurt more than others, and some feel more personal than others. But we move on—unless we’re hoping for that second-chance romance HEA, right?