I’ve been hearing a lot about ChatGPT, and when I complained to a (non-writer) friend I was struggling with a chapter, he said “just get ChatGPT to write it”. Ha! Normally I’m a bit of a luddite, but I figured if it’s what the kids are doing, I should give it a go. While ChatGPT is definitely hit and miss, you can use it as a tool similar to a thesaurus.
Unity of opposites
An element of literature and film I find a lot of fun is the power of two completely opposite characters being brought together by a common event or goal. Once there, they find themselves in a scenario where they want precisely the opposite things.
The stories within the story
Last time I wrote about the layers of setup and pay-off within a well written story. Moving back a step, I thought I’d touch on the stories that create those layers with a very simple guide. It neatly summarises how I write any story—screenplay, novel or otherwise.
Set up, pay off
When I embark on a new writing project, I always consider the setups and the payoffs. By that I mean the events that connect and give a certain satisfying symmetry to the story. The more of these elements scattered throughout the work the better, as they add layers and complexity for the reader. They also ensure that you don’t have an un-fired Chekov’s gun, or an unsatisfactory deux ex machina happening.
The past couple of years the culinary buffet has been about as popular as a cough in an elevator. Not so the metaphorical buffet of writing circles, critique partners and other peer feedback. But sometimes all this amazing (and sometimes contradictory) feedback can leave a writer confused with a side of panic.
Tropes and artistic license
As a writer of romantic suspense, and more recently inspirational romantic suspense, tropes come with the territory for me. There are some I like more than others. But the beauty of a trope is that the reader knows what they’re going to get.
The art of patience
Patience. What does that word mean to you? To me, it is taking a deep breath and persisting—often uphill—with faith that I will get there in the end. It’s a habit and a state of mind, and it requires a lot of practice. Fortunately, as writers, the practice comes whether we want it or not.
Last month, I wrote about the importance of real world experience in writing sensorial details and included the example of firing a gun. I discussed this (and a scene from my WIP) with a friend who also happens to be an expert in ballistics. The discussion gave me some interesting insights I thought I’d share with you all.
Making the senses real
When writing fiction, our imaginations can often be enough to bring our characters to life. However, there is a point where nothing beats writing from real life experience, especially when writing an immersive emotional experience for the reader. I’m talking sensorial, visceral details here.
Monsters, villains & antiheros
As I embark on writing my first psychological thriller, I have been thinking a lot about the role of monsters and antiheroes in modern story telling. With so many anti-heroes in our popular culture, like Walter White, Martin Byrde and Amy Dunne, have these morally questionable protagonists replaced villains and monsters for good?