An element of literature and film I find a lot of fun is the power of two completely opposite characters being brought together by a common event or goal. Once there, they find themselves in a scenario where they want precisely the opposite things.
The past couple of years the culinary buffet has been about as popular as a cough in an elevator. Not so the metaphorical buffet of writing circles, critique partners and other peer feedback. But sometimes all this amazing (and sometimes contradictory) feedback can leave a writer confused with a side of panic.
As a writer of romantic suspense, and more recently inspirational romantic suspense, tropes come with the territory for me. There are some I like more than others. But the beauty of a trope is that the reader knows what they’re going to get.
Patience. What does that word mean to you? To me, it is taking a deep breath and persisting—often uphill—with faith that I will get there in the end. It’s a habit and a state of mind, and it requires a lot of practice. Fortunately, as writers, the practice comes whether we want it or not.
When writing fiction, our imaginations can often be enough to bring our characters to life. However, there is a point where nothing beats writing from real life experience, especially when writing an immersive emotional experience for the reader. I’m talking sensorial, visceral details here.
As I embark on writing my first psychological thriller, I have been thinking a lot about the role of monsters and antiheroes in modern story telling. With so many anti-heroes in our popular culture, like Walter White, Martin Byrde and Amy Dunne, have these morally questionable protagonists replaced villains and monsters for good?
I came across an article in the journal of Urban Forestry & Urban Greening that got me thinking about how we can enhance our creativity. This particular article interviewed seventeen Danish creative professionals in an effort to determine whether nature has the capacity to enhance creativity. Spoiler: it does. But in my experience, so does standing in the shower.
Most of us have been regularly rejected since we were young children. Even if only temporarily, I’ve been rejected by friends, family, co-workers, bosses, pets (why does that hurt the most?), strangers, peers, acquaintances, intimate partners, kids. It’s part of life. Some times hurt more than others, and some feel more personal than others. But we move on—unless we’re hoping for that second-chance romance HEA, right?
At the beginning of 2020, I decided that I would stop reading the news. It was one of my goals. Instead I would read books. My decision was prompted by the realisation that knowing the news each day did not contribute to my wellbeing in any way. It wasted valuable time I could be writing or reading. And if we’re honest with ourselves, the news is mostly sensationalist crap!
Unless a fairy doomed you from birth to only tell the truth (like Tomas in Power of a Princess) you are a constant liar. Just like me and everyone else in the world. The interesting thing about lies is that most of us think we are honest—we underestimate how often we lie to protect our self-esteem. This means that your characters need to be liars too. But just like us, our characters always lie for a reason. And just like us, they often don’t realise they’re doing it!